Nina Simone’s ‘Four Women’
Tells the story of four different African American women. Each of the four characters represents an African American stereotype in society.
“An instantly accessible analysis of the damning legacy of slavery, that made iconographic the real women we knew and would become.” –Thulani Davis
My skin is black, my arms are long
My hair is woolly, my back is strong
Strong enough to take the pain, inflicted again and again
What do they call me? My name is aunt Sarah
My name is aunt Sarah, aunt Sarah
My skin is yellow, my hair is long
Between two worlds I do belong
But my father was rich and white
He forced my mother late one night
And what do they call me?
My name is Saffronia, my name is Saffronia
My skin is tan, my hair fine
My hips invite you, my mouth like wine
Whose little girl am I? Anyone who has money to buy
What do they call me? My name is Sweet Thing
My name is Sweet Thing
My skin is brown, my manner is tough
I’ll kill the first mother I see, my life has been rough
I’m awfully bitter these days, because my parents were slaves
What do they call me? My name is Peaches
Take a Stand Against the ongoing dehumanisation & degradation of African Women.
“Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness – and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe.
The corporate revolution will collapse if we refuse to buy what they are selling – their ideas, their version of history, their wars, their weapons, their notion of inevitability.
Remember this: We be many and they be few. They need us more than we need them.
Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” Arundhati Roy
by Richie Unterberger
Of all the major singers of the late 20th century, Nina Simone was one of the hardest to classify. She recorded extensively in the soul, jazz, and pop idioms, often over the course of the same album; she was also comfortable with blues, gospel, and Broadway. It’s perhaps most accurate to label her as a “soul” singer in terms of emotion, rather than form. Like, say, Aretha Franklin, or Dusty Springfield, Simone was an eclectic who brought soulful qualities to whatever material she interpreted. These qualities were among her strongest virtues; paradoxically, they also may have kept her from attaining a truly mass audience. The same could be said of her stage persona; admired for her forthright honesty and individualism, she was also known for feisty feuding with audiences and promoters alike.
If Simone had a chip on her shoulder, it probably arose from the formidable obstacles she had to overcome to establish herself as a popular singer. Raised in a family of eight children, she originally harbored hopes of becoming a classical pianist, studying at New York’s prestigious Juilliard School of Music — a rare position for an African-American woman in the 1950s. Needing to support herself while she studied, she generated income by working as an accompanist and giving piano lessons. Auditioning for a job as a pianist in an Atlantic City nightclub, she was told she had the spot if she would sing as well as play. Almost by accident, she began to carve a reputation as a singer of secular material, though her skills at the piano would serve her well throughout her career. READ MORE
- Nina Simone: Lyrics ‘Four Women’
- Nina Simone – Don’t Let Me Be Misunderstood (Zeds Dead Remix) (thebanginbeats.com)
- Talking the Talk, R&B Artist Simone De Presents Outstanding Memoir (prweb.com)
- Nina Simone Childhood Home (paintedjournals.wordpress.com)
- Complexity of black women’s lives lacking in mainstream media (sistahlosity.wordpress.com)