Young Writers of Colour

by Darren Chetty

I’ve spent almost two decades teaching in English primary schools, which serve multiracial, multicultural, multifaith communities. I want to explore two things I have noticed.

1)    Almost without exception, whenever children are asked to write a story in school, children of colour will write a story featuring white characters with ‘traditional’ English names who speak English as a first language.

2)    Teachers do not discuss this phenomenon.

Furthermore, simply pointing these two things out can lead to some angry responses in my experience.

Why are you making an issue of race when children are colourblind?”

is an example of the sort of question that sometimes gets asked.

Well let’s look at that. If children were writing stories where the race of characters was varied and random, there might be some merit in claiming that children are colourblind. However, even proponents of racial colourblindness do not argue that all people are White… and English. They argue that race no longer matters. If that’s true, why are young children of colour and young white children writing exclusively about white characters?

But, surely you are not arguing that teachers are telling them to do this?”

I’m not. I think it’s more complicated than that.

A few years ago, I taught a Year 2 class in East London. I had built up a good bank of multicultural picture-books and resources and shared these with the class whenever seemed appropriate. When it came time for the class to write their own stories, I suggested that they used the name of someone in their family for their protagonist. I wanted them to draw on their own backgrounds, but was worried about ‘making an issue of race’. When it came to sharing their stories, I noticed only one boy had acted upon my suggestion, naming his main character after his uncle. He had recently arrived from Nigeria and was eager to read his story to the class. However when he read out the protagonists name he was interrupted by another boy, who was born in Britain and identified as Congolese.

“You can’t do that! Stories have to be about White people.”

I’m confident the boy who announced this was being sincere and indeed, in the ensuing class discussion there was a fair bit of uncertainty about who could and couldn’t be in stories. I was surprised and confused by this. Why did they always write stories about children from very different backgrounds to themselves? And why were these characters always White? After all, I had shared a number of stories about children of colour with the class.

I just hadn’t realised what I was up against.

#40 ABC Fun2What do I mean? Well, if you are a teacher, try this with your class. Ask them to write down their favourite 25 children’s book characters. Then ask them to count how many of those characters are White (and look for other patterns too). Publishers like Verna Wilkins at Tamarind do a great job at promoting books featuring People of Colour. However, a friend of mine who writes for children, has been told by publishers that by making her central character a black girl, she will reduce its marketability – so unless she is writing specifically about ‘black issues’ she should make her ‘front-cover’ characters white.

On World Book Day, many primary schools ask children and staff to dress up as a famous book character. On this day in my local schools, you will see children of colour dressed as White fictional children. Again, this in itself might not be a problem – but the lack of options is worrying for some Black teachers and parents. A Black colleague’s exasperation at this, led to us creating a resource for discussion that has proved an effective way of starting conversations with colleagues and children about race and representation in children’s literature. World Book Day – A Teacher’s Dilemna

This isn’t confined at children’s literature of course. In her essayPlaying in the Dark’, Toni Morrison argues that “the readers of virtually all of American fiction have been positioned as white.” (Morrison 1992:xiv) We might ask if the same is true of children’s literature and how that might affect children’s relationship to story-writing. And I don’t think any such marginalization is limited to books. Take a programme set in the very area of England where I teach. When EastEnders was launched, it was lauded for its inner-city realism and diversity. Recently the BBC compiled this list of characters with the most ‘doof doof’ cliffhangers – an indication, albeit an imprecise one, of who has the main storyline. In the top 50 characters, the number of People of Colour was exactly zero.

Reflecting on my experience with my Year 2 class, the following year, whilst teaching Year 5, I was emboldened to experiment.

What would happen if for just one lesson I insisted they write about a character from a similar ethnic, religious, linguistic background as themselves – just as I sometimes insist they try to include fronted adverbials, or a moral dilemma for their protagonist?

First we discussed ourselves in terms of amongst other things: language, family migration, physical appearance including skin and hair, religion, hobbies and clothes. Then I asked them to write a character who was similar in some but not necessarily all of categories. As I modelled this process for them, I realized it was something I rarely did in class myself, causing me to later think of my role as a teacher of colour (indeed the only male teacher of colour in my current school.)

Writing-Games2Then they wrote. Clearly, many of them enjoyed the lesson and many produced their best piece of writing. Here are a couple of examples:

Bang! As I stormed to headteacher Mrs. Paula’s office my head filled with fear. Fear of exclusion!

Mrs. Paula was a short, slim, young white woman with red ruddy cheeks. She was a stern woman who hated disobedience and inappropriateness. As I stroked my black hair, my smooth lips crumpled and my creamy brown face turned red with worry.


Maryam Patel was a twelve year old girl, whose parents were Indian, but she was born in Britain. She was a fairly religious person. However Maryam thought one does not have to wear a headscarf to be religious. She loved her red straight hair. Her hair was as red as blood. She had decided to dye her hair as she hated her dark brown hair. She loved football and the club she supported was Liverpool. One day I will play for the Liverpool women she thought.


I want to avoid making huge claims here. However, I do sense a greater emotional engagement with the story from the children and the beginnings of an authorial voice in both Michael’s dramatic first-person opening and Nabila’s character description.

Nabila did start four sentences with ‘She’ and I would want to give her feedback on varying her sentence structure. But there is genuine characterisation in the paragraph not just a short list of features, which I often encounter. More than that, there is some psychological insight in this 9 year-old’s writing precisely because she is using her own life as inspiration for her creativity.

Speaking to Nabila, she told me she had never written about an Indian heritage and/or Muslim character before. Nobody had ever told her she shouldn’t. But at the same time, nobody had ever explicitly given her permission. Subsequently, she wrote two further full stories about ‘Maryam Patel’. The third installment described Maryam’s trip to India. Trust me, it was a good read.

*Names of children have been changed.


Teacher, Governor, Higher Ed Tutor, Hip Hop Educator, P4Cer, PhDer. RapClassRoom Find Darren Chetty on twitter @rapclassroom

READ the follow up: Writing and Reading While Black. Lessons learned.

Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice — and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.

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179 thoughts on ““You can’t do that! Stories have to be about White people”

  1. Reblogged this on la samaritana and commented:
    This topic is highly relevant today, perhaps more so than ever. It’s 2016 and in the United States, more than a century and a half after the Emancipation Proclamation, more than 50 years past the civil rights movement of the 20th century, U.S. Citizens are STILL disenfranchised (people living on the island of Puerto Rico have no right to vote for President and never have) and we find ourselves STILL having to proclaim that Black Lives Matter (because our justice system apparently never got the memo).

    “1) Almost without exception, whenever children are asked to write a story in school, children of colour will write a story featuring white characters with ‘traditional’ English names who speak English as a first language.

    2) Teachers do not discuss this phenomenon.”

    Liked by 1 person

  2. I remember when I was in school, the style of the stories changed depending on whether it was about white people with some mixing, or other groups. Heroes were almost always males, and only males seemed to do anything other than housekeeping,. I also remember reading Andre Norton as a child because it was not always about white people, or people with money, or people that stayed in the kitchen cooking all the time, or even humans. I guess that was why I lover her work, because in her stories even girls could be heroes, and people did things together no matter what colour or what race (literally) they were.

    When I taught for a bit in northern Canada, I used to have my students create word problems for addition and subtraction problems, using a preset format, to help them gain writing and spelling skills in a limited stress situation. I then used the problems during math. I created problems using my student’s names, and before long the problems they made used their friends’ names. I found it worked great in lessening the barriers, as a result, especially when some of the students started making problems hat were outright silly, and laughing at each others’ creations.

    Liked by 1 person

  3. I come from Papua New Guinea and there is a paramount conflict between the culture and modernization. When modernization is confused with white culture. Even my Daughter thinks she’s white.

    Liked by 1 person

  4. Seriously, you should be awarded a research grant to explore this subject further – do apply for one but that’s as far as I – a retired teacher and writer of Punjabi origin – can advise you. Do it before some sneaky academic steals your idea to get a cushy grant.

    Liked by 1 person

  5. This is amazing. I remember when I was actually in the position of these students when I was younger and I always wanted to use traditional and culturally significant names because they felt more close to my heart. However, then there was also this sort of stigma that was attached from deviating from what was considered normal. It is unfortunate that this predominantly White culture has been embedded into the lives of students who come from such diverse backgrounds. However, I think a lot of it has to do with this idea of wanting to assimilate into American society. One notion of being “truly American” is to live up to the standards of the mainstream white middle class individual. And because of this, we unconsciously throw away our cultural identities.

    Liked by 7 people

  6. A very insightful and eye-opening article. Thank you so much for sharing this …

    I recently decided to try my hand at writing a novel and as you may guess, it is in English. Even though my home language is Afrikaans and even though the language is so much richer and poetic, the fact remains that English is one of the universally accepted languages and due to that, bound to have a larger audience. It may be that the exposure that we have to culture, shapes our perception and subliminally, it influences our choices when identifying with the world and sharing our thoughts.

    But it goes deeper than that, much deeper …

    It is a result of indoctrination, of a unfair self perception that is slow to die off. What breaks my heart, what saddens me the most, is the lack of individuality under the non-white’s of South-Africa. So many years after the Sharpville incident and still they have not claimed their own place in this country. Instead, they dwell on the ghosts of the past and seeing every institution and every aspect of life as being out to get them.

    Walking down the street, I bump into a man by accident. I turn around to apologize but unwittingly still had a scowl on my face from an incident with a shop owner. The man looked at me and in the typical cultural show of respect, cupped his hands and said “Sorry baas”. My face immediately changed to a friendly smile, “No it’s my fault, and I’m not your ‘baas'”. I never was and never will be anyone’s boss, not in the way he used it. I didn’t grow up in that era and have nothing to answer for, just as much as that man now has nothing to be submissive about, yet he does so instead of standing up proudly and telling me off for knocking his groceries out of his hands.

    Those raised in the apartheid regime, cling to what they know, to what they were taught about the white man, those who came after Sharpville, after the atrocities and human rights violations, live in a bitter and ignorant state, as though living for they parents whom never had the strength to stand up against it. Instead of breaking out and creating their own identity in this country, they seek to destroy what they feel is a reminder of the past. Yet, there is none left. There is no prejudice left, among whites in this country, yet they see it still.

    It is a symptom of an illness which has already been beaten, it is just a matter of time for the swelling and rash to fade away.

    You fill me with hope and pride that there is people out there, willing to administer the salve to the open wounds and sores to the previously oppressed.

    I am not a white man living in South-Africa, I’m a South-African, living among brothers and sisters who has fought and survived a disease of bitter hatred.


  7. The point you’re trying to make is absolutely true. Racism is still there in the heart of majority of people. Whites are considered more than the blacks. We never know when will the equality that is needed will come into action.
    Amazing blog! Loved reading it.

    Liked by 1 person

  8. OMG I completely understand where you come from. When depicting romance films, white characters are mostly used, as the stereotypical factors of back people used in comedy diminishes the chances of black people becoming the faces of romance! Would anyone interest visit my blog? I just started a little way back and am trying to learn a bit more about WordPress!

    Liked by 8 people

  9. Wow! Shocking but I think true. I am white and my children are not white – one has an English name and the other has an Amharic name. My black bestie and I spoke about a similar topic last week – how beauty issues are mostly always targeted around the white majority – lots of changes needed. Thanks for the perspective 😊

    Liked by 4 people

  10. I’d never really gave this much thought before, but your article really got my mind racing, I think it’s time I expanded my library a bit more to include specifically books featuring a protagonist of a different ethical, religious etc background than the sadly usual.

    Liked by 3 people

  11. Reblogged this on BellesBookshelves and commented:
    I’d never really gave this much thought before, but your article really got my mind racing, I think it’s time I expanded my library a bit more to include specifically books featuring a protagonist of a different ethical, religious etc background than the sadly ussual.

    Liked by 1 person

  12. I always used to write using white characters, i still do but when i started getting comfortable in modelling stories around my background and using my immediate culture, the characters felt much more real to me, more believable. i guess it’s just a sub conscious thing with all colored writers since most of us look up so much to them (that is white writers). the point i picked up from this article is that we shouldn’t be afraid to embrace the diversity of the world in the worlds we create. and i will definitely put that point to practice.

    Liked by 3 people

  13. I am an educator in the U.S. For twenty years I have been involved in education. I currently teach Language Arts. There are not enough book with children of color as the protagonist. Our textbooks are filled with stories from the White perspective. There are few pages on Civil Rights and your staples such as Alice Walker and Maya Angelou. We are not well represented. Being Black I try to expose my kids to a variety of cultures. They need to see kids that look like them and share their experiences. I remember in February during Black History month my fellow teacher said his wife, whom is a librarian was having trouble finding books for young adults written by Black authors or having Black Characters. This article was spot on. Thanks for writing it.

    Liked by 2 people

    1. Excellent comment, whitec1971. While I agree that there are not enough diverse books, I get rather irritated when people talk about books being limited to the “staples such as Alice Walker and Maya Angelou”. If that is the impression you or your students are getting then in means somewhere along the line someone has failed to do even the most basic research and collection development. As for your friend’s wife, a librarian, she mustn’t have been looking very hard. Can I suggest these lists:

      I could go on.

      Liked by 3 people

      1. Yes I agree. I try to expose my students to other book. I also agree that my friend’s wife didn’t look in the right places, but the demographics of her school are not diverse. Thanks for this excellent reply.

        Liked by 1 person

  14. Reblogged this on A Glimpse into my Imagination and commented:
    I’m reblogging this read because I thought it was a good read. I think people should write from their personal backgrounds and there should be more diversity in main characters. I personally feel nervous writing about a black main character for fear of offending someone. As a white woman, I’m sure lingo and ethnic background can be taken out of context and be misconstrued to racism, which I am not.

    Liked by 1 person

  15. This article has such resonance for me. Sadly as an African child growing up in colonial Rhodesia, I was subjected to a teacher ridiculing a classmate for writing a story about her neighbour called Hawa. “What name is that?” he said. “We want English names – Jack, John and James. Not Hawa or Mawa!” The incident had a profound impact on me and fed my passion for a multilingual, multicultural children’s literature.

    Liked by 3 people

  16. Children are very good at picking up the unwritten rules of society. They depend on it, they have to learn them so they can navigate this strange world they were born into.
    When they verbalise these rules and tell them back at us, adults are often horrified, because of course do they believe in “equality”. Of course do they believe that PoC can be protagonists! Of course do they believe that girls can be whatever they want! But they don’t walk the walk and when children notice this, it’s somehow the children’s fault.

    Liked by 3 people

  17. Right here is the perfect site for anyone who wishes to understand this topic.
    You realize so much its almost hard to argue with you (not that
    I actually will need to…HaHa). You certainly put a fresh spin on a subject that’s been discussed for ages.

    Wonderful stuff, just excellent!

    Liked by 2 people

  18. Great post. I agree with everything you say. I hope this issue stays at the forefront of the news and we actually get some change happening.

    Liked by 2 people

  19. For very young children the stories themselves are gender and race neutral – perhaps there is a problem with illustrators as well as (or not just) with writers.

    Liked by 4 people

    1. I’m a mixed backgound (Asian-white) children’s writer. I look everywhere for picture books featuring non-white protagonists for my son, who’s nearly 2. The only onesI find, apart from the excellent Pamela Venus / Tamarind Press books, are as follows 1) set in a foreign country (non white = non British) 2) traditional tales (non-white = non-contemporary, ‘cultural’, different) 3) from the USA, reflecting contemporary US life. It has proved almost impossible to find something as apparently simple as a children’s picture book depicting a non-white child as the hero/ine of a non-issue based story. British children’s books don’t reflect the diversity of the UK outside the library doors. The problem is with publishing, I’d say, more than with illustrators and writers.

      Liked by 6 people

  20. It’s not just children. Writers who hope to sell a novel do the same thing. I’ve sometimes received manuscripts in my inbox from writers from other countries, including women and people of color, whose books are set in the USA and are about white male Americans. Unfortunately, though I’m sure they could write something publishable set in their own countries, it’s clear they know the USA only via television and their books are not going to win out against books written about white male Americans by white male Americans writing what they know with an authentic voice. It makes me want to scream.

    Liked by 5 people

  21. I just love this. I’ve explored culture as well as slavery on my blog. Your post reminds me of a movie whose title I can’t for the life of me recall. Well-known actors with Sandra Bullock. White lawyer in the South seeks justice for the rape of a little black girl. All-white jury. Doesn’t look like he’s going to win, the bad white guys are going to get off. At the eleventh hour, in the closing argument, the lawyer appeals to the jury to close their eyes while he recounts what the men did to the girl. And he says: “Now imagine that girl was white.”

    I’m getting chills!!
    (And yeah, he won.)

    Let me know if you’d like to participate in the Race:

    You can share your experiences on my podium, promote your blog that way.


    Liked by 4 people

  22. The subject of your post is not something I’ve ever really considered before, but it is very true. As I stop and think I find it hard to name a major character in a successful English language novel who is not white. Given the sensitivity to cultural nuances children have it is sad (but unsurprising) that they pick up on, and act on this unspoken truth.

    Liked by 3 people

  23. Young children take in these simplified ideas as they learn language and family roles. You are inspired to begin to break down these ultimately limiting categories of thought. They were obviously ready for it!

    Liked by 2 people

  24. I agree with you about this . One of the big things that bothers me about the schools is that my ancestry which is native american, Is lied about the truth is not told. It is just ridiculous

    Liked by 2 people

  25. Amazing! I really like your perspective as I have had similar experiences to my job applications. Within EU, the educational system prefers to stay silent and probably ignore this very fact. I am a mid-career Pakistani journalist and trainer on human rights issues, during my time in the EU I was keen on contributing stories at my former e-magazine. First I was told off with a very weird statement that “how can you write in English” ( 85% of my journalism work is in English) and then after much frustration I was told to submit my stories. The reactions were like ” Why your story has a migrant in it, yes your colored so you probably cannot write about real European people and so on.” My mental state was somewhere between hysterical and cold anger.
    I will follow your posts for sure, very very interesting.

    Liked by 2 people

  26. I look for a time when reading will encompass ALL people. I am interested in the 30,000,000 word gap between children of poverty ( no color added) and children of wealth. Have you heard about that?

    Liked by 2 people

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